Join us Monday nights at 7 for, The BEAT with Dave Lindquist. Hear your next music discovery from the local and independent scene and fresh music from familiar artists.
Monday night, Dave presents new music from St. Vincent, Midnight Sister and Indianapolis band, Zero Boys
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Songs played on the March 22 episode:
Katie Toupin, “Astronaut” Big Red Machine, “A Crime” Oceanator, “Goodbye, Goodnight” Katy Kirby, “Peppermint” Zero Boys, “It’s a Long Way Home” Field Music, “No Pressure” Midnight Sister, “Foxes” Babeheaven, “Cassette Beat” Todd Snider, “Sail On, My Friend” The Beths, “I’m Not Getting Excited” St. Vincent, “Pay Your Way in Pain” Valerie June, “Fallin’ ” Bachelor, “Anything at All” Yung, “Autobiography”
Awards season is shaping up nicely for Lawrence North High School and Ball State University graduate Tiara Thomas.
In the span of 12 hours, Thomas won a Grammy Award and became an Academy Award nominee. Writing with R&B star H.E.R. on two different songs delivered the accolades for Thomas.
The duo appeared onstage Sunday to collect the Record of the Year Grammy for H.E.R.’s “I Can’t Breathe.” On Monday morning, Thomas was announced as an Oscar nominee in the category of Best Original Song for co-writing H.E.R.’s “Fight for You” – which is heard in the film “Judas and the Black Messiah.
Producer D’Mile shares a writing credit on “I Can’t Breathe” and “Fight for You.”
Thomas, 31, has described H.E.R., otherwise known Northern California native Gabriella Sarmiento Wilson, as being similar to a younger sister. H.E.R., 23, won a Best R&B Album Grammy for her 2017 debut album that included a song co-written by Thomas.
Thomas, who began playing guitar at age 12, co-wrote one song that appeared on 2019 H.E.R. album “I Used to Know Her.”
A former model for American Eagle Outfitters, Thomas co-wrote Wale single “Bad” and appeared as guest vocalist on the song’s original recording. “Bad” reached No. 21 on Billboard magazine’s Hot 100 chart in 2013. Wale subsequently released a remix of the song that featured Rihanna instead of Thomas.
John Hiatt, who grew up in Indianapolis near the intersection of 57th Street and Central Avenue, didn’t work in isolation during the pandemic.
Known for signature songs “Have a Little Faith in Me” and “Real Fine Love,” Hiatt will release a collaborative album with the Jerry Douglas Band this spring.
The album, titled “Leftover Feelings,” is scheduled for release May 21. The project’s first single, “All the Lilacs in Ohio,” arrived Wednesday. Douglas applies his unparalleled dobro guitar skills to the unplugged rendition of “Lilacs,” a song Hiatt originally recorded for his 2001 album “The Tiki Bar is Open.”
Hiatt, who received the Americana Music Association’s lifetime achievement award for songwriting in 2008 and became a Nashville Songwriters Hall of Famer the same year, dipped into his catalog for one other “Leftover Feelings” track. The song “Little Goodnight” first appeared as a B-side after Hiatt issued his “Perfectly Good Guitar” album in 1993.
Douglas, known for his work with Alison Krauss & Union Station, and his supporting cast joined Hiatt at Nashville’s historic RCA Studio B to record “Leftover Feelings.” Presently operated by the non-profit Country Music Hall of Fame, RCA Studio B was the site of recordings sessions by Elvis Presley, the Everly Brothers and Chet Atkins.
“Leftover Feelings” will be Hiatt’s first studio recording since 2018’s “The Eclipse Sessions.” His resume includes many compositions that other artists popularized, including Bonnie Raitt’s cover of Hiatt’s “Thing Called Love” and the Jeff Healey Band’s rendition of “Angel Eyes.”
John Mellencamp took his music to the streets in 2000, and an upcoming movie and live album will commemorate the tour that caught many fans off guard.
The Indiana Rock and Roll Hall of Famer announced “The Good Samaritan Tour” will arrive this spring as a documentary film and live album.
Across three weeks in August 2000, Mellencamp played pop-up shows in 10 U.S. cities. Many of the unplugged performances were presented in Downtown business districts.
“You know, (Woody) Guthrie used to go out and play for the workers in the field,” Mellencamp said during a press conference after the tour wrapped up on Indiana University’s Bloomington campus. “People don’t work in fields anymore; they work in office buildings. I felt like we were doing the same thing.”
The Bloomington show proved to be the least organic of the tour, thanks to a stage and full amplification prepared at Woodlawn Field. About 10,000 people showed up for the afternoon event on Aug. 31, but that wasn’t the largest “Good Samaritan” crowd.
On Aug. 21, an estimated audience of 15,000 showed up at Daley Plaza in Chicago.
Mellencamp said two tour highlights were Philadelphia and Cleveland. Philadelphia received a nod because Mellencamp, accordion player Mike Flynn and violin player Merritt Lear launched the tour there with zero advance notice.
Cleveland stood out because police officers stood next to the musicians in Public Square, attempting to keep the peace.
“It was the cops and the walkie-talkies,” Mellencamp said. “Photographers were hitting each other. It was stupid, but it was really fun. There was a real, immediate rock ’n’ roll vibe in Cleveland.”
Academy Award winner Matthew McConaughey serves as narrator for the “Good Samaritan” documentary. McConaughey appeared in the video that accompanied Mellencamp’s “Key West Intermezzo (I Saw You First)” in 1996, and the actor wore a Mellencamp T-shirt onscreen in the film “A Time to Kill” that same year.
A teaser trailer for the film features Mellencamp’s rendition of “Early Bird Cafe,” a song originally recorded by the Jerry Hahn Brotherhood in 1970.
Mellencamp devoted most of the “Good Samaritan” shows to cover songs, including tunes popularized by Guthrie, Blind Willie Johnson, Bob Dylan, the Rolling Stones, Donovan and Eddie Cochran.
Turning to original compositions, Mellencamp released an excerpt of a new song titled “I Always Lie to Strangers” to preview a studio album presently in the works.
Join us Monday nights at 7 for, The BEAT with Dave Lindquist. The BEAT includes music discoveries from the local and independent scene and fresh music from familiar artists. Monday night, Dave presents new music from The Hold Steady,Julien Baker and Celeste.
Join us Monday nights at 7 for, The BEAT with Dave Lindquist. The BEAT includes music discoveries from the local and independent scene and fresh music from familiar artists. Monday night, Dave presents new music from Laura Jane Grace, Indianapolis band, Bullet Points and The Backseat Lovers.
Join us Monday nights at 7 for, The BEAT with Dave Lindquist. The BEAT includes music discoveries from the local and independent scene and fresh music from familiar artists. Monday night, Dave presents new music from Brendan Benson, Porridge Radio and Songhoy Blues.